What interests me about sculpture is its ability to convey feelings of intimacy through physical objects. I am interested in how my background in illustrative painting can be translated through these objects.
Cleaved, Acrylic on Handcrafted Plywood 3D Frame, 2024
'Protective Style', 2024, Welded Steel Sheet Metal
The Verb "To Hold", Chiseled Plaster, 2023
To Hold, Chiseled Plaster, 2023
To Hold, Chiseled Plaster, 2023
The Verb "To Join," Chiseled Plaster, 2023
To Join, Chiseled Plaster, 2023
To Join, Chiseled Plaster, 2023
To Join, Chiseled Plaster, 2023
To Join, Chiseled Plaster, 2023
A Plate of Beans, 2023
A Plate of Beans, 2023
A Plate of Beans, 2023
"To Hold" Pt. 2, 2023
“To Hold” Pt. 2
Fleece, Poly-Fil, Beans
Towards the end of the semester, I became interested in how I could facilitate the shift from paint which allowed me to create this soft sculpture. Sticking with the theme of distorted human bodies which I explored throughout my class: Forum II, I imagined how I could create a figure that was unrestricted by its substrate yet retains an identifiable form.
Human Shell, Ceramic, 2023
Human Shell, 2023
Human Shell, 2023
Human Shell, 2023